This was originally supposed to be a double fugue symbolizing Ulquiorra's two resurreccións, but I quickly realized that I didn't have the necessary skills to write a fugue, much less a double fugue, even though I conscientiously employed elements such as inversion and augmentation. The term "quasi fugue" seems to capture both the intent and the ludicrousness quite well.
This was also originally in B-flat minor, because B-flat minor to me suggests the kind of black-green that is associated with Ulquiorra. Unfortunately it proved completely unpianistic in B-flat minor, and I was forced to transpose it to B minor, which is also dark green, but not quite Ulquiorra's shade.
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This was originally supposed to be a double fugue symbolizing Ulquiorra's two resurreccións, but I quickly realized that I didn't have the necessary skills to write a fugue, much less a double fugue, even though I conscientiously employed elements such as inversion and augmentation. The term "quasi fugue" seems to capture both the intent and the ludicrousness quite well.
This was also originally in B-flat minor, because B-flat minor to me suggests the kind of black-green that is associated with Ulquiorra. Unfortunately it proved completely unpianistic in B-flat minor, and I was forced to transpose it to B minor, which is also dark green, but not quite Ulquiorra's shade.
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